«[Ré]inventer l’existant : quand les architectes de demain imaginent notre avenir post-carbone»

 

Veja aqui

AMOR PELA NATUREZA

 

Veja em https://alainrichard.com/

ABOUT

Alain Richard seeks to capture the landscape devoid of human presence, elevating the presence of nature. An invitation to become aware of the sublime beauty of the world we live in, reinterpreting our place within it.

For decades, Alain has been engaging with the natural landscape in his work as a means of self-reflection, and explores themes of time, memory and the nature of reality. Richard’s work often involves large format photographs of vast expanses of sea, sky, and land. Devoid of human presence, His work emphasises the experience of the infinity of nature and the representation of its presence.  mais.

___________________

Chegámos a Alain Richard por um  trabalho

 na revista  VILLAS: Spring - Summer 25. E apeteceu-nos

 logo partilhar a «descoberta», daí este post...

«A mid major shifts in US global engagement, CGD is analyzing the depth of the changes and their far-reaching implications, including the dismantling USAID and the abrupt termination of USAID awards supporting programs worldwide»

 

Veja aqui

NA TATE | EDWARD BURRA | «Burra observed fields, mountains and valleys as passing impressions through his car window»

 

Edward Burra

Valley and River, Northumberland (1972)

«(...)Burra observed fields, mountains and valleys as passing impressions through his car window. His attention was also caught by smog-belching power stations and collieries as well as newly built motorways, which had become a common feature of Britain’s changing landscapes. His sister would stop periodically so he could study the view intensely. Burra’s friend Billy Chappell sometimes joined them. Chappell was struck by the artist’s uncanny memory and eye for detail:

It fascinated me to watch Edward when the car halted by some especially splendid spread of hills, moorland, and deep valleys. He sat very still and his face appeared completely impassive … I do not remember Edward ever making any sort of note: not even the faintest scribble; yet weeks, even months later, the shapes, the tones; the actual atmosphere; and the colour of the clouded skies looming above those moors, hills, and valleys he had looked at so intently, would appear on paper.

Billy Chappell   (...)». Saiba mais. 

 

FRANÇA | MINISTÉRIO DA CULTURA | TRANSIÇÃO ECOLÓGICA

 

Veja aqui

«Face à l’intensification des phénomènes climatiques extrêmes, le ministère de la Culture adapte et adopte une stratégie ambitieuse de cartographie des risques environnementaux au service des acteurs culturels. Cette approche vise à renforcer la capacité d’anticipation des risques, à orienter les actions de prévention et à préserver la richesse culturelle face aux défis liés au changement climatique».

«Caminho de Jacinto»

 

O

s vales fofos de verdura, os bosques quase sacros, os pomares cheirosos em flor, a frescura das águas cantantes, as ermidinhas branqueando nos altos, as rochas musgosas, o ar de uma doçura de paraíso, toda a majestade e toda a lindeza. Deixando resvalar o olhar observe (...). Continue a ler.

NO ECO MUSEU MUNICIPAL DO SEIXAL |«A Cortiça: Matéria-Prima para as Fábricas da Mundet»| ATÉ 30 DEZ 2025

 

Leia aqui

«A exposição “A Cortiça: Matéria-Prima para as Fábricas da Mundet”, patente no Núcleo da Mundet do Ecomuseu Municipal do Seixal até 30 de dezembro, convida o público a mergulhar na história de um dos mais marcantes patrimónios industriais do concelho.
Integrada no Programa de Apoio a Museus da Rede Portuguesa de Museus — ProMuseus 2023, a mostra destaca o papel do Edifício das Caldeiras de Cozer da antiga fábrica Mundet, onde se processava e preparava a cortiça antes de seguir para o mercado internacional.
O percurso expositivo conduz o visitante desde o descortiçamento no montado, passando pelo trabalho minucioso realizado na fábrica, até à expedição dos fardos de pranchas de cortiça que partiram do Seixal para diversos destinos no mundo. (...)».